MUREX

Murilo Jambeiro de Oliveira

Brazil, December 29, 2024.

I really like U2’s work, like the first CD I bought alone, a calling card, Under a Blood Red Sky, which shouldn’t be an end in itself. And I also have a great fondness for PJ Harvey’s late work, as I always say in both cases, there is a moment that is a turning point for me when visiting the work. Polly’s work, Let England Shake, and that was done later. Both works make a deep sense to me, a personal experience as it is for any fan, and I no longer know whether I am challenged by their fans or by themselves, distant as they seem to me. Visiting a work, crossing meanings with specific facts, even the question of going further in innovating and conferring personal meanings, is an effort that pleases me in some very specific cases.

PJ Harvey’s entire late work is very meaningful to me in its entirety. Sometimes we talk a little about the problems of the Native American who had his soul stolen by an image. Sometimes something is a matter of cross-hypotheses, or as I say, of logic and prior knowledge.

In some sense, for the Murex snail that I have become over the recent period, I see a huge expenditure of Tyrian Purple by U2, whether conceptualizing very early, prophesying very punctually, or illustrating more or less discreetly, things that are congruent with me. PJ Harvey, on the other hand, exercises the faculty of the type of reasoning that I ask myself in at least two concepts, which reach the most mature work that I know so far, and which frequents my questions about many things.

I ask PJ Harvey’s question about Dorset, if I may say “Let England Shake”, as well as being involved in “Hope Six” from the beginning when, for example, she goes to Afghanistan, which isn’t really my question but it’s there example in a joke so frequent that I have aka Japanese in the recent period, but it was evident in a football match in 2008, in what would be Dorset for me, that I asked myself about the Dollar. Between the beginning and today of “Hope Six” and an extensive filling that ends in the ostracism of “Let England Shake”. I don’t know two people who have made the same sense to me, but I know of 4 guys who are always out there spending my honey.

@CoexistenceLaw